Her school-girl costume emulated Leslie Caron in Gigi (1958), worn even while performing her act. Karina's role was as an unattached striptease dancer who nevertheless wishes to have a child and daydreams about appearing in MGM musicals. The film was immediately controversial, outlawed from French theaters for its content referencing the Algerian War.Īs Angela in A Woman Is a Woman ( Une femme est une femme, 1961).
Karina, then still under 21, had to persuade her estranged mother to sign the contract for her. Godard offered her a role in The Little Soldier ( Le Petit Soldat, not released until 1963) which concerns contentious French actions during the Algerian War. It was in your mind that I was undressed." In the end, the character Godard reserved for Karina did not appear in the film. When Godard questioned her refusal, mentioning her apparent nudity in the Palmolive ads, she is said to have replied, "Are you mad? I was wearing a bathing suit in those ads-the soapsuds went up to my neck. He was casting his debut feature film, Breathless ( À bout de souffle, 1960), and offered her a small part in it, but she refused when he mentioned that there would be a nude scene.
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Jean-Luc Godard, then a film critic for Cahiers du cinéma, first saw Karina in the Palmolive adverts in which she posed in bathtubs, during movie previews in a Monsavon pub. She appeared on the front cover of the Elle fashion magazine and in commercials for products such as Coca-Cola, Pepsodent, and Palmolive soap.
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Karina said that Chanel helped her devise her professional name, Anna Karina, which was deliberately coined to evoke the Leo Tolstoy novel, Anna Karenina. She began to work as a model and eventually became successful, posing for several magazines, including Elle, and meeting Pierre Cardin and Coco Chanel. One day while sitting at the café Les Deux Magots she was approached by a woman from an advertisement agency who asked her to do some photos. Les Deux Magots, the café where Anna Karina was discovered Modeling īayer was 17 when she arrived in Paris, with only 10,000 francs and unable to speak French.
In 1958, after a row with her mother, she hitchhiked to Paris. At age 14, she appeared in a Danish short film by Ib Schmedes, which won a prize at Cannes. She began her career in Denmark, where she sang in cabarets and worked as a model playing in commercials. Her mother remarried, but her step-father was abusive. She has described her childhood as "terribly wanting to be loved", and as a child she made numerous attempts to run away from home. She lived with her maternal grandparents for three years, then spent the next four years in foster care before returning to live with her mother. Her mother was a dress shop owner and her father left the family a year after she was born. Hanne Karin Bayer (later known as Anna Karina) was born in Frederiksberg, Denmark. The New York Times described her as "one of the screen's great beauties and an enduring symbol of the French New Wave."
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Karina was an icon of 1960s cinema, and referred to as the "effervescent free spirit of the French New Wave, with all of the scars that the position entails". In addition to her work in cinema, she worked as a singer, and wrote several novels. She also directed the French-Canadian film Victoria (2008). In 1972, Karina set up a production company for her directorial debut, Vivre ensemble (1973), which screened in the Critics' Week lineup at the 26th Cannes Film Festival. For her performance in A Woman Is a Woman, Karina won the Silver Bear Award for Best Actress at the Berlin Film Festival. She was French New Wave director Jean-Luc Godard's collaborator in the 1960s, performing in several of his films, including The Little Soldier, A Woman Is a Woman, My Life to Live, Bande à part ( Band of Outsiders), Pierrot le Fou ( Crazy Pete) and Alphaville. Anna Karina (born Hanne Karin Bayer 22 September 1940 – 14 December 2019) was a Danish-French film avant garde actress, director, writer, and singer.
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