We love the more creative and extreme side of the plug-in too like using the DIFF button to generate negative ratio compression effects! Boost sustain to make the ambience around a recording bloom, or cut it for quick and precise gating. Insert on a track, bus or even master output to add presence/distance to drums, piano, guitar and any other percussive content. Use a broader tilt mode or the more parametric-style focus mode to choose which frequencies are processed. With so much control to hand it’s easy to design your own spaces too.Envolution is a frequency-dependent envelope shaper with separate transient and sustain sections to radically re-shape the envelope of your instruments or audio. To get you started, over 120 invaluable presets are included – from drier ambiences to open reverberant spaces and from sound effects to settings inspired by classic hardware. The result is a sound that is natural and enveloping – with the effect sitting in rather than on a mix. The comprehensive yet intuitive GUI features flexible Early Reflection, Reverb Tail and 5-band Oxford EQ sections. We love the more creative and extreme side of the plug-in too like using the DIFF button to generate negative ratio compression effects!ĭesigned with the highest technical and sonic performance in mind, the Oxford Reverb is a class-leading stereo reverb with hallmark Sonnox clarity and ease of use.
I’d like to thank our friends over at Sonnox for providing us with 3 copies of these plugins to give away to our amazing community!Įnvolution is a frequency-dependent envelope shaper with separate transient and sustain sections to radically re-shape the sonic envelope of your instruments or audio.
Let us know what you do when it comes to shaping transients and when it comes to choosing reverbs! The Reverb is the same thing! It’s simple so you can just reach in and pull down some EQ until it sounds really good. So again shaping the transients is huge and the Envolution is great for that. Two fast kicks where one is overlapping the other would be terrible it would be a 40-60 Hz rumble. It’s logical because now suddenly the notes are not overlapping. So instead of having a horrible low end rumble, each of those kick drums will get shortened so the low end doesn’t sustain as much.
Sometimes it is about simply shaping transients and shaping the sustain of a note so it doesn’t blur into 50 other different notes and create a lot of low end that takes you ages to figure out.įor instance, if you’re doing fast kick drum patterns, I will use a transient shaper on a fast section to make it tighter. Once I start bringing the attack up I can turn it down so its little bit more pointed. It’s not always about applying EQ- It’s more about controlling the length of a note, and more importantly the attack. It has taken away a lot of the need to do a ton of EQ! Instead of that low end being too much I can start shortening things so that I’m not sitting in there high passing. This plugin is also incredibly useful for solving problems like picking out transients and boosting things in a way that stops you from having to overly EQ. I feel like just the presets alone for the drum stuff is remarkably good. If you’re interested in learning more about the technical aspects of these plugins, you can read more under the video below or you can visit their website! The Envolution has so much you can do to shape transients! It’s really really fantastic and it’s an incredibly useful tool. Some Envolution presets are pretty remarkable- it’s definitely a lot more than a one trick pony. There are so many great things out there and I discover them as I discover them! The reverb is something I’ve really been wanting to try out!
#Sonnox oxford envolution plugin series#
Many of you have pointed out that these plugins have been out for a while now and the Oxford series plugins are legendary- but they are pretty new to me. The best thing about these plugins is that you can enter to win 1 of 3 copies! (Scroll up to enter!)
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